Aniston of the week: Rock Star

In the week that David Bowie and Alan Rickman died and lacking a film in which either starred with Aniston*, what serves as adequately appropriate within our subject’s portfolio is her part in a film that celebrated and parodied rock-star fandom, albeit with mixed results. In love with an LA-based British hair-rock band (based loosely on the story of Judas Priest) a far cry from the genius of Bowie, it’s a film that nevertheless revels in the power of music to inspire, and the importance of individuality and creative autonomy above all else, epitomised by Bowie.

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Aniston as Emily

FILM: Rock Star
DIRECTOR:
Stephen Herek
YEAR:
2001
CHARACTER NAME AND PROFESSION:
Emily Poule, manager/’business woman’
PLOT SUMMARY:
Chris Cole (Mark Wahlberg) fronts a tribute act to Steel Dragon, but infuriates his band mates with his perfectionism. His manager and girlfriend, Emily (Aniston) supports him wholeheartedly. When the actual lead singer of Steel Dragon, Bobby Beers (Jason Flemyng) is kicked out of the band, Chris is whisked away to audition as his replacement. Getting the job, he changes his name to Izzy, and dives headfirst into all the clichés of the rock n’ roll lifestyle. Initially happy to continue supporting him, Emily tires of being relegated to ‘one of the girls’ following the tour bus and decides to move to Seattle to set up her own business. Chris gets further hooked on his new drug-fuelled life and only rethinks things when he realises he’s just a singer for hire, with no creative autonomy. Eventually Chris and Emily reunite, once he has left Steel Dragon to become a solo indie singer. Basically he goes from 1980’s hair glam and power vocals to 1990s Seattle grunge.
CHARACTER TRAITS:
Emily is loyal, kind, witty, assertive and self-assured.

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Stand behind your man, Aniston with Mark Wahlberg as Chris/Izzy

NOTES ON PERFORMANCE: Basic Aniston here, which isn’t to criticise – she’s as funny, poised and committed as ever – just not given room to demonstrate much range. Highlights are her withering looks to Timothy Spall’s road manager, Mats, her comic line readings and her convincing sad face when she realises Chris is lost to rock n’ roll.

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“You’re in Seattle!” Save it, Emily, rock n’ roll took him long ago

NOTES ON FILM: Director Stephen Herek demonstrates some of the ground he’s covered elsewhere – the belief in rock n’ roll from Bill and Ted’s Excellent Adventure (1989), the dreams come true story of The Mighty Ducks – but Rock Star most closely resembles Mr Holland’s Opus (1995), with Aniston cast in the role of supportive partner, forever side-lined by her man’s failure to see all the ways he’s blessed. Other female characters fare even worse, as they’re either sycophants or neglected wives and girlfriends.
CONCLUSION: When Emily leaves to set up her Seattle business I wished I could see that film instead.

*Aniston almost starred with Alan Rickman in Gambit but sadly that never came to fruition.

 

Aniston of the Week: Wanderlust

After last week’s exploration of perhaps Aniston’s most dramatic role, and in the spirit of the season of jollity, we look at a film that reunites the central duo of The Object of My Affection. A film that teaches us how not to live, in so many ways. Happy Holidays!

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Aniston as Linda, protesting!


FILM:
Wanderlust
DIRECTOR:
David Wain
YEAR:
2012
CHARACTER NAME AND PROFESSION:
Linda Gergenblatt, filmmaker (among other things)
PLOT SUMMARY:
Linda and husband George (Paul Rudd) buy a ‘micro loft’ – their first property – and quickly realise its tiny and unaffordable. George loses his job and Linda’s documentary about Penguins is rejected by HBO, and unable to sell their apartment they decide to move in with George brother Rick (co-writer Ken Marino) who has offered him a job at his port-a-loo company. On the way there, they stop off at Elysium, an ‘intentional community’ that they assume is a B&B. The residents there – a nudist wine-making novelist called Wayne (Jo Lo Truglio), the founder Carvin (Alan Alda), pregnant Almond (Lauren Ambrose) and guru Seth (Justin Theroux) – show them a great time, getting them high, going skinny dipping and playing the digeridoo, and despite the awful ‘dirt coffee’ they love it there. Living with Rick and his self-medicating wife Marissa (Michaela Watkins) proves to be more than they can bear and George persuades Linda that they should go back to live at Elysium. Linda loves it there, but George misses New York.

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Aniston with Justin Theroux as Seth

CHARACTER TRAITS: Open-minded, kind, creative, impulsive, honest.
NOTES ON PERFORMANCE:
Aniston is very funny, delivering some of the best dead pan lines and also doing some brilliant physical comedy too – notably when Linda drinks ayahuasca tea and hallucinates plants crying and then believes she can fly – it’s an enthusiastic, committed, joyful performance. Linda’s character arc allows Aniston to show her range as a comic and dramatic actor, as she first appears like a typical New York creative and later grows into someone who has finally found how they want to live, with y’know dick jokes along the way.
2012wanderlustgb010312NOTES ON FILM:
Co-writer and director David Wain clearly loves mining the community living situation for the possibilities it offers to mock the hippy lifestyle or life lessons – Wanderlust feels a bit like Wet Hot American Summer for thirty-somethings, with some of the same cast. At the same time, he’s targeting the impossibility of the New Yorker lifestyle, with a couple who prioritise living in the right neighbourhood (next to the best coffee place) over having space and jobs they actually like. The suburbs also come under fire with Rick and Marissa representing the epitome of the miserable, white, money obsessed Middle American dream. Wanderlust’s message is to find a balance in life, which feels sincere and heartfelt, despite all the cynicism is expresses along the way. Despite a general broadness to the humour on show, Wanderlust does provide some laugh out loud moments, mainly thanks to Aniston rather than Rudd’s improvisational sex-motivator patter.

CONCLUSION: Makes you want to be best friends with ‘silly’ Aniston.

Aniston of the Week: Cake

2015 saw the release of a film that showcased what might be thought of as Jennifer Aniston’s most revealing and dramatic role. Ignoring the middling reviews allows an engagement with an understated and powerful performance and a chance for Aniston to take centre stage.

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Aniston as Claire

FILM: Cake
DIRECTOR:
Daniel Barnz
YEAR:
2014
CHARACTER NAME AND PROFESSION:
Claire Bennett, former lawyer
PLOT SUMMARY:
Claire is recovering from an accident that killed her young son and left her with chronic back pain, after having pins in her legs for a year. Divorced from her husband Jason (Chris Messina), she attends a support group, which she finds unhelpful, and relies largely on her carer Silvana (Adrianna Barraza) for companionship and support. Claire becomes fascinated by the suicide of another chronic pain sufferer, Nina (Anna Kendrick) and is haunted by visions of her.

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Aniston with Chris Messina as Jason

CHARACTER TRAITS: Resentful, pragmatic, insensitive, loyal, honest.
NOTES ON PERFORMANCE:
Aniston here demonstrates astonishing control and command of her emotional range and physicality, portraying with a sense of hidden charisma, a person just holding on to the world. Cake presents a person affected by great tragedy, without labouring what it is Claire has lost, or the details of the person she was before it happened, and in her performance Aniston delves fully into the misery of all this, without giving the audience the respite of what a ‘nice’ person she might have been before.

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With Adrianna Barraza as Silvana

NOTES ON FILM: Cake should be celebrated for showcasing what Aniston is capable of when she’s given the chance to carry a film. Despite a preconception of such a grim subject as being awards-bait, the film is refreshing in that it allows Aniston to underplay, and is far from providing the kind of revelatory third act that most dramatic, bereavement related films might use. It would be very easy to critique Cake for what’s its not, instead of praising where it gets things right, for which Aniston’s performance is a factor that cannot be overstated enough. Barraza is also excellent, making Silvana a rounded character with her own motivations and life away from her role as carer. Cake is a hard sell, but when considered alongside the likes of Still Alice, or Clouds of Sils Maria, it’s demonstrable as one of 2015’s most accomplished pieces about a woman in middle-age, and a central performance that’s worth viewing alone.
CONCLUSION
: Finally, it’s all about Aniston.