Falling for The Love Witch, an interview with Anna Biller

First published by Kino! 28-29. Back in January at International Film Festival Rotterdam, among the hundreds of films screening, a path emerged that lead led this writer to films concerned with womanhood. Nicolette Krebitz’s Wild took the notion of the wild woman archetype literally, playing deviously with female instinct and longing. Elizabeth Subrin’s A Woman, A Part, explored the mid-life crisis of a woman shifting … Continue reading Falling for The Love Witch, an interview with Anna Biller

My week in film: Iberodocs, Green Room and a Captain America movie

After a hiatus shaped like Alchemy Film and Moving Image Festival (which I produced), my viewing journal returns with a typical mix of artistic expression and popcorn nonsense. On Wednesday night the third edition of Iberodocs – Scotland’s only dedicated documentary festival and a celebration of Ibero-American cinema – opened at Filmhouse in Edinburgh to a packed audience. Begun as a way to showcase the … Continue reading My week in film: Iberodocs, Green Room and a Captain America movie

My week in film: Berlinale and a ‘hateful’ Tarantino

You might have missed this weekly viewing journal of late – this writer has been engaged elsewhere, covering the Berlin Film Festival competition (and some other films) for other outlets. For CineVue, I reviewed André Téchiné’s rewarding French drama Being 17 (****); Alone in Berlin (**) starring Emma Thompson and Brendan Gleeson; the dense and deftly handled Death in Sarajevo (****), which won the Silver … Continue reading My week in film: Berlinale and a ‘hateful’ Tarantino