Falling for The Love Witch, an interview with Anna Biller

First published by Kino! 28-29. Back in January at International Film Festival Rotterdam, among the hundreds of films screening, a path emerged that lead led this writer to films concerned with womanhood. Nicolette Krebitz’s Wild took the notion of the wild woman archetype literally, playing deviously with female instinct and longing. Elizabeth Subrin’s A Woman, A Part, explored the mid-life crisis of a woman shifting … Continue reading Falling for The Love Witch, an interview with Anna Biller

My week in film: Berlinale and a ‘hateful’ Tarantino

You might have missed this weekly viewing journal of late – this writer has been engaged elsewhere, covering the Berlin Film Festival competition (and some other films) for other outlets. For CineVue, I reviewed André Téchiné’s rewarding French drama Being 17 (****); Alone in Berlin (**) starring Emma Thompson and Brendan Gleeson; the dense and deftly handled Death in Sarajevo (****), which won the Silver … Continue reading My week in film: Berlinale and a ‘hateful’ Tarantino

My week in film: Suffragette and two rom-coms

Since returning from London Film Festival, I made it a priority to see Sarah Gavron’s Suffragette. It should be a priority for everyone to see this film, especially given that it’s the first ever theatrical feature film to tell the story of the suffragettes. Gavron and writer Abi Morgan chose to focus on the lives of working women in 1912 in East London, as a … Continue reading My week in film: Suffragette and two rom-coms