Marley & Aniston

Jennifer Aniston – an actor seen frequently doing great work in poor films, sometimes excellent work in good films, and occasionally, amazing work in excellent films. How are we to know this prolific and skilled artist’s full range? We’ll just have to watch all of her films. After a hiatus, Aniston of the Week is back, and this time, it’s Marley & Me. FILM: Marley … Continue reading Marley & Aniston

Aniston of the week: We’re the Millers

Jennifer Aniston – an actor seen frequently doing great work in poor films, sometimes excellent work in good films, and occasionally, amazing work in excellent films. How are we to know this prolific and skilled artist’s full range? We’ll just have to watch all of her films. After a hiatus, Aniston of the Week is back, and this time, it’s We’re the Millers. FILM: We’re … Continue reading Aniston of the week: We’re the Millers

Aniston of the week: Mother’s Day

Jennifer Aniston – an actor seen frequently doing great work in poor films, sometimes excellent work in good films, and occasionally, amazing work in excellent films. How are we to know this prolific and skilled artist’s full range? We’ll just have to watch all of her films. After a hiatus, Aniston of the Week is back, and this time, it’s Mothers Day.   FILM: Mother’s … Continue reading Aniston of the week: Mother’s Day

Catalogue films by Dana Berman Duff

Recently I was asked by filmmaker Dana Berman Duff to write a programme note for her upcoming screening at Echo Park Film Centre in LA. I love Dana’s films so it was easy to say yes, and a pleasure to write the below piece. I last saw Dana (and her films) when working for Alchemy Film & Moving Image Festival in March 2017, when we … Continue reading Catalogue films by Dana Berman Duff

Falling for The Love Witch, an interview with Anna Biller

First published by Kino! 28-29. Back in January at International Film Festival Rotterdam, among the hundreds of films screening, a path emerged that lead led this writer to films concerned with womanhood. Nicolette Krebitz’s Wild took the notion of the wild woman archetype literally, playing deviously with female instinct and longing. Elizabeth Subrin’s A Woman, A Part, explored the mid-life crisis of a woman shifting … Continue reading Falling for The Love Witch, an interview with Anna Biller

LOCAL/LOCALE season at EFG: Tired Moonlight

The final screening in the mini season LOCAL/LOCALE at Edinburgh Film Guild is the UK premiere of Britni West’s Slamdance award-winning Tired Moonlight. Set and shot in West’s hometown of Kalispell, Montana, Tired Moonlight uses mainly non-professional actors and a ‘documentary’ approach to capture the atmosphere of this simultaneously ordinary and special place. The director went back to Kalispell over the summers of 2012 and … Continue reading LOCAL/LOCALE season at EFG: Tired Moonlight

LOCAL/LOCALE season at EFG: Our Beloved Month of August

This coming Sunday at 7pm the LOCAL/LOCALE season at Edinburgh Film Guild continues with a film by celebrated Portuguese writer/director Miguel Gomes. The director’s second feature film following The Face You Deserve (2004) is a sun-drenched portrait of a rural town in the region of Arganil, whose title, Our Beloved Month of August (Aquele Querido Mês de Agosto, 2008) proclaims the affection with which Gomes … Continue reading LOCAL/LOCALE season at EFG: Our Beloved Month of August

LOCAL/LOCALE season at EFG: Alluvion and Evergreen

Following last week’s White Coal directed by Georg Tiller, the LOCAL/LOCALE season continues on Sunday 22 November at 7pm with two films by Russian born, London based artist Sasha Litvintseva, Alluvion (2013) and Evergreen (2014). Litvintseva’s films explore the industry, tourism and history of specific places, commenting on the way culture, leisure and work are documented and valued. In Alluvion a family holiday at a … Continue reading LOCAL/LOCALE season at EFG: Alluvion and Evergreen

LOCAL/LOCALE season at EFG: White Coal

Following season opener, Man of the Story, LOCAL/LOCALE at the Edinburgh Film Guild continues on Sunday 15 November with the UK premiere of Georg Tiller’s White Coal (2015), a semi-fictional ‘document’ of the world’s largest coal-burning power plant in Taichung, Taiwan. Tiller based part of the structure of White Coal on Herman Melville’s novel The Confidence Man, and the film includes scenes, shot in black … Continue reading LOCAL/LOCALE season at EFG: White Coal

LOCAL/LOCALE season at EFG: Man of the Story

A few weeks ago I announced a mini film season at the Edinburgh Film Guild. Taking place on Sundays at 7pm from 8 November until 6 December, LOCAL/LOCALE presents films that each address a specific place or places, using techniques of documentary and fiction, essay and narrative, to undermine our assumptions about genre and offer in turn, intelligent, beautiful and humorous comments on the human … Continue reading LOCAL/LOCALE season at EFG: Man of the Story